Feodosia moonlit night Ivan Konstantinovich Aivazovsky. Bath in Feodosia. Description of the painting by Aivazovsky “Moonlit night. Bath in Feodosia»

Description of the painting by Aivazovsky “Moonlit night. Bath in Feodosia»

The great Russian painter Ivan Konstantinovich Aivazovsky painted the painting “Moonlight Night.
Bath in Feodosiya" in the middle of the 18th century.
In the picture, I see a calm night sea, consecrated by the bright, but at the same time diffused light of the full moon, breaking through a light haze of clouds.
The boundless quiet expanse of the sea, combined with the black night sky, which occupies more than half of the canvas, creates a feeling of mystery and tranquility.

In the foreground, on the quay, stands a tiny house with an open door through which a subdued light escapes.
This appears to be a bath.
Through the open door I see a woman's silhouette.
Apparently, this is a young bather who is attracted by the night sea.
She is sitting on a chair in a long light dress.
She has dark hair and her hands are folded in her lap.
Her hair is pulled back into a neat bun.
The lunar path seems to illuminate the sailboats with lowered sails and the embankment, on which a vague silhouette is visible.
Most likely, this is a young fisherman in love with the sea.
In the distance, on the hillside, you can see cozy little houses.
Their windows are dark, their inhabitants have long since gone to bed.
The hills themselves are densely covered with trees, and the sight of them gives a feeling of fabulous charm. A woman swims along the night sea, like a sea mermaid, leaving ripples behind her.
According to the fashion of that time, she bathes in a long white shirt.
Apparently, it was she who took advantage of the house and then rushed into her nightly swim.
And, apparently, it is the girl sitting in the bathhouse waiting for her.
The sky, the higher it looks, the darker and more impenetrable it is.

In general, the whole picture is written in such a way that the closer to the center, the more clearly the details are spelled out, the brighter and lighter the colors.
This painting is undoubtedly considered one of the outstanding works of the artist Aivazovsky.

Sea. Moonlight night

I. K. Aivazovsky traveled a lot in search of inspiration. The result of one of the trips to the Crimea is the painting “Sea. Moonlight Night" was written from the beautiful landscape of the baths in Feodosia. The author, with his creation, conveyed and showed us all his love for the sea and seascapes.

The play of light in this work is striking in its unique beauty. A fabulous night sea with a green tint and a half-lit sky with a bright moon are pleasing to the eye. The sky is covered with thick clouds, and the moon seems to have got out of their web and illuminates with its light the way for sailing ships, quietly sailing on a calm sea.

Most of the canvas is occupied by the striking beauty of the sky. The clouds are drawn so realistically and beautifully, and against their background, on the pier, there is a small swimming pool. A woman quietly swims up to her, resembling a mermaid in the night light, and another, probably her friend, is waiting in the house, whose silhouette is clearly visible through the open door. The dark-haired beauty is dressed in a snow-white long dress with her hands folded on her knees and waiting.

Mountains are visible in the distance, covered with dense trees and a sleeping city. Not a single person dared to light a light in the window, as if they knew that a stunning canvas was being created nearby.

Grade 9

Composition based on the painting by Sanya Malikov Plastova Grade 6
The outstanding Russian figure, artist and creator Arkady Alexandrovich Plastov loved in his works to depict the people of his fellow villagers, the landscapes that enveloped his village.
Composition based on the painting by Levitan Lake. Russia essay
In the painting by Isaac Levitan “Lake. Rus” laid the image of the native land. According to the author of the canvas, this is how, despite the time of year, our great country- solemnly, brightly
Vasnetsov V.M.
The artist Vasnetsov comes from a religious family. His father is a clergyman. Victor was born on the fifteenth of May 1848. The young boy learned artistic skills first at school, and then at the corresponding Academy in St. Petersburg.
Levitan I.I.
Levitan Isaac Ilyich - famous Russian artist, member of the Society of Wanderers. He became famous for painting landscapes. Born in 1860 in Lithuania. In the 1870s, the Levitan family moved to Moscow.

The great artist Ivan Konstantinovich Aivazovsky painted several thousand amazing paintings, many of which gained worldwide fame and won the hearts of art connoisseurs. Ivan Konstantinovich devoted most of his masterpieces to the sea and the natural elements. His paintings mainly depict a stormy sea, which is subject to the negative effects of natural phenomena and elements. But there are also images of a calm sea atmosphere.

Aivazovsky conveyed the incredible beauty of night landscapes in his masterpieces. The moonlit night has a bewitching look in his performance. He manages to show all the charms of the sea at night, to convey every small detail in the reflection of the water. Delving into the work of the artist, you can immediately understand that Aivazovsky loves the sea very much. The moonlit night also impresses and inspires him. It is in the combination of the sea and the moon that many of his greatest paintings are created. Reviewing all the pictures, you can see that Aivazovsky preferred the moonlit nights. The description of such paintings only confirms this.

The artist’s love for the sea appeared for a reason, because Ivan Konstantinovich comes from the Crimea, where there are a huge number of beautiful and picturesque places. It was on the Black Sea coast that the artist was inspired to create many of his paintings. Aivazovsky wrote many of his masterpieces about Crimea.

Hometown for Aivazovsky Feodosiya. Here he spent his childhood, and already at that time gradually fell in love with the sea. Already since childhood young artist showed his talents, outlining the walls of houses. Then, already as an adult, and after graduating from the art academy, Ivan Konstantinovich painted many paintings depicting the best sea views of the city.

Theodosius. Moonlight night. 1880

One of these paintings by Aivazovsky "". It depicts a pronounced lunar path in a calm sea, one of the author's favorite views. Two ships and mountain slopes are visible in the distance. Also in the foreground you can see two people having a conversation. The picture is very harmonious, you can look at it for a long time and constantly notice new details. "Feodosia. Moonlight night". Ivan Konstantinovich Aivazovsky painted this picture in 1850. After that, he painted two more paintings from the same angle. All of them depict night, sea and moonlight, other details change. Looking at these three paintings, comes great admiration for the work of Aivazovsky. How clearly he conveyed every detail of the night view of this Black Sea coast. Probably, this place was to the liking of the artist, since he often visited here in his childhood. This bath is not far from his house.

For Aivazovsky, the moonlit night in the Crimea was a special source of inspiration. The beauty of this peninsula was dedicated to many paintings. He traveled to many coastal cities of the Crimea and left on his canvas the best sea views.

View of Odessa on a moonlit night. 1855

Ivan Konstantinovich also visited Odessa and captured the Black Sea from other shores. Also, Aivazovsky could not ignore the view of Odessa on a moonlit night. That is how he called his painting, created in this Black Sea city "". It depicts the sea, a seaport and several ships. Also a small boat with fishermen going for a night catch. Clouds are visible, the weather is not entirely clear, but this does not prevent the moon from displaying its crown path in the waters of the Black Sea.

Galata tower on a moonlit night. 1845

Aivazovsky often visited Turkey. The artist was attracted by the extraordinary landscapes of the eastern country. He maintained good relations with the Turkish sultans. Often he painted pictures with impressive views or portraits of sultans as a gift, and also performed commissioned works. Most of the paintings created in Turkey were painted in Constantinople. This is not surprising, because there is inspiration for the marine painter here. One of the popular paintings dedicated to traveling to Turkey "". Aivazovsky depicted a bewitching view of the tower - one of the main symbols of the city. The Turkish people are well depicted, leading a measured nightlife. Also, the calm sea, reflecting the bright moon, did not go unnoticed. The weather is good, which can be seen from the clear sky, the bright moon and the calm sea. Mosques can be seen in the distance, which gives the picture an oriental flavor. In a calm sea, many fishing boats went out to hunt.

The sea, the moonlit night of Aivazovsky, the description of these natural beauties is most attractive in the creation of his masterpieces. He excels like no other. This is given only with great talent and sincere love for the sea.

Aivazovsky traveled a lot different countries. He was very attracted to sea voyages, after which he received the greatest inspiration. Some of his masterpieces he produced in swimming. He was most attracted to travel to seaside cities. Aivazovsky also visited galleries and museums, got acquainted with the work of foreign artists. In addition to creating his own paintings, he copied the paintings of other creators.

The artist was attracted by Italy. Many great paintings have been created here. He traveled to many Italian cities and captured the brightest places on his canvas. Of course, Aivazovsky could not disregard the moonlit night of Naples. Night landscapes with lunar views were the artist's favorite to depict on canvas. In each country, he conveyed all the details in a special way, trying to convey the color of this country and the accompanying atmosphere.

Moonlit night in Capri. 1841.

If we continue to describe Ivan Aivazovsky's moonlit nights, reproduced on canvas, then it is worth mentioning a few more paintings. Aivazovsky's painting of a moonlit night created in 1841 was called "". It differs from the above pictures. The seashore is depicted, small waves. You can see the bow of a wooden boat, from which two teenagers admire seascape. The painting does not contain many objects for study, but it is worth noting how the artist depicts small details. Each wave, how it changes with the direction of the wind - all this the artist skillfully conveys in his paintings. For such reverent work, you need to truly feel every detail, and only a person in love with the sea can do this.

Moonlight night. 1849

Also, you can see that the paintings are made in one color scheme and a single object does not have a color that stands out from the total mass. Everything is subject to the reflections of natural shades and lighting.

The distinctness of the form of the objects of the picture, the small number of colors used, the attention to every smallest detail - all these are the main highlights of the artist. He also skillfully played with colors, even when using a meager range of colors, due to the opposition of colors, he could achieve the brightness and clarity of the resulting image.

Despite the fact that Aivazovsky is considered a marine painter, portraits, landscapes of mountains, nature and other types of art came out perfectly in his performance. Nevertheless, Ivan Konstantinovich liked the seas and everything connected with them.

Aivazovsky Ivan Konstantinovich moonlit nights combined with sea water brought the greatest inspiration. This can also be seen by looking at famous masterpieces written from the sea. Despite the fact that the paintings depict the night, everything is clearly visible due to the illumination of the moon. Her light in the paintings reflects every object and detail that look harmonious in the moonlight.

In his paintings where the sea is depicted, the artist paid attention to the water element highest value. He applied all other objects from the first time, but for the image of sea water, the marine painter applied extraordinary creative abilities. He tried to express every wave, every crest, as well as a realistic depiction of the sky in the water. This took a huge amount of time and effort, because it was necessary to apply several layers, apply glazing methods in order to achieve the desired combination of colors, the effect of water transparency and other distinctive qualities inherent only in Aivazovsky's work.

Aivazovsky Ivan Konstantinovich, one of the few marine painters, managed to convey the bewitching sea nature on his canvas so masterfully. You can look at his paintings for a long time and enjoy the landscapes. Very realistically, he managed to reproduce the natural elements and the sea. The artist's paintings are ingenious, like those depicting day and night. Looking at any of them, you are convinced of the extraordinary talent of the great marine painter Aivazovsky.

With the name of Ivan Konstantinovich Aivazovsky, everyone will immediately remember one of the most famous works of the artist - the painting "The Ninth Wave". A master of battle scenes, "the painter of the Main Naval Staff", Aivazovsky is considered the best in creating a stormy sea, a raging element.

But he also has other canvases, from which emanates peace and tranquility, where there is no violence of the elements, but there is the breadth and beauty of native expanses, even if these are expanses of the sea. These canvases include a picture of I.K. Aivazovsky Moonlight Night. Bathhouse in Feodosia”, written in 1853. The first thing the viewer pays attention to is the moonlight, which pushes the darkness apart. The blackness of the night fades to the edges of the picture, which makes it seem like something very bright, because the full moon is shining in the sky. It was she who flooded everything around with a yellowish light, and the water seems green in places.

The moon path divided the dark water in half. And the water sparkles and sparkles, set off by the black abyss around. In the moonlight, the silhouettes of the ships standing at the pier are clearly visible. A sailing ship is seen in the distance. It is more like a shadow, as if the ghostly Flying Dutchman suddenly appeared on the horizon. There are houses on the distant shore, the railings on the fence of the embankment are clearly visible. Not a single light shines in the windows of sleeping houses. Night covered everything around with its mysterious cover. Clouds are moving smoothly in the sky. But they don't cover the moon. And she reigns in heaven, and on earth, and on water.

To the right of the lunar path there are bridges with a bath, which is brightly lit. But not by moonlight, but by a lamp. This lighting seems to repeat the night luminary: in the center of the canopy, the same yellow circle glows as in the sky. It floods the small space under the bath with light. And there is a woman floating there. It seems that she is floating in the moonlight herself like the moon. And only in the house a reddish light burns. There is a girl sitting there. She seems to be waiting for her mistress. Or is it a friend of a bathing woman. She did not dare to enter the water and remained in the house while the second girl was bathing.

Aivazovsky's painting “Moonlight Night. Bath in Feodosia. It is simply impossible to look away from her. In my opinion, no one has yet been able to convey the moonlight so accurately when the full moon is shining in the sky, and everything around is illuminated by some kind of extraordinary light. The woman in the water resembles a mermaid from children's fairy tales. If not for the light in the bath and not for the second woman, then the resemblance to a fairy-tale creature would be complete. great picture created by a great artist!

The great Russian painter Ivan Konstantinovich Aivazovsky painted the painting “Moonlight Night. Bath in Feodosiya" in the middle of the 18th century. In the picture, I see a calm night sea, consecrated by the bright, but at the same time diffused light of the full moon, breaking through a light haze of clouds. The boundless quiet expanse of the sea, combined with the black night sky, which occupies more than half of the canvas, creates a feeling of mystery and tranquility.

In the foreground, on the quay, stands a tiny house with an open door through which a subdued light escapes. This appears to be a bath. Through the open door I see a woman's silhouette. Apparently, this is a young bather who is attracted by the night sea. She is sitting on a chair in a long light dress. She has dark hair and her hands are folded in her lap. Her hair is pulled back into a neat bun. The lunar path seems to illuminate the sailboats with lowered sails and the embankment, on which a vague silhouette is visible. Most likely, this is a young fisherman in love with the sea. In the distance, on the hillside, you can see cozy little houses. Their windows are dark, their inhabitants have long since gone to bed. The hills themselves are densely covered with trees, and the sight of them gives a feeling of fabulous charm. A woman swims along the night sea, like a sea mermaid, leaving ripples behind her. According to the fashion of that time, she bathes in a long white shirt. Apparently, it was she who took advantage of the house and then rushed into her nightly swim. And, apparently, it is the girl sitting in the bathhouse waiting for her. The sky, the higher it looks, the darker and more impenetrable it is.

In general, the whole picture is written in such a way that the closer to the center, the more clearly the details are spelled out, the brighter and lighter the colors. This painting is undoubtedly considered one of the outstanding works of the artist I.K. Aivazovsky.

Composition based on the painting “Moonlit night. Bath in Feodosia»

Dark night. Midnight. The night sea, shimmering under the glare of the moon, it seems boundless and bottomless, the sea goes somewhere far into the distance. If you look at the picture well, then in the black sea you can see a girl, she resembles an enchanted mermaid who swam out to admire the beauty of the moon and nature. The moon this night is full and clear, it attracts the viewer's eye, the moon, like a magic ball, shines among the black haze, it is she who well illuminates everything that is under it. On the shore there is a small house with an open door, a light is on in it and another girl is sitting, who is waiting for the one that swims in the sea. It can be assumed that this night is very warm and one of the girls decided to plunge into the cool water, which is pierced by fabulous light, to cool down.

Under the moon itself there are ships on which white sails develop from a light breeze, they are opposed to the blackness of the sea. There is a feeling that these ships stick their masts right into the sky. Under the bright sun of the moon, you can see the clouds, they are light, airy, which means that the next day will be warm and clear. That part of the sky that is not illuminated by the moon seems mysterious and terrible, the sky here is black-black, it is impossible to see anything in it. When writing a picture, the artist uses more dark tones to accurately convey the atmosphere of the night. Dark shades give the picture mystery and mystery. When you look at the picture, you want to carefully examine all the details, the Artist arranged all the objects in such an interesting way that you simply cannot leave a single detail unconsidered. The picture is interesting. Each image captured in the picture is original and individual.

The picture evokes conflicting emotions, on the one hand you admire the beauty of the moon and its light, on the other hand, the darkness and mystery of the picture are alarming.

15. To the painting by Aivazovsky “Moonlight Night. Bath in Feodosia»

Painting by Ivan Aivazovsky (Hovhannes Ayvazyan) “Moonlight Night. Bath in Feodosia” was written in 1853, its size is 94 by 143 cm. The work is done in oil on canvas. Today, Aivazovsky's painting “Moonlight Night. Bath in Feodosia "is located in Taganrog in the city art gallery.
Painting «Moonlit night. Bath in Feodosiya” is completely opposite in character to “The Ninth Wave”: every stroke, every stroke is saturated with calmness, love and tenderness. And not in vain
after all, it is the Crimean town of Feodosia that is the small homeland of the painter. He was born in Feodosia and periodically lived there, so in this picture Ivan Konstantinovich combined his love and affection for the sea with childhood feelings for the seascape.
The center of the plot of the picture is the sea on a moonlit night, only here it is not at all raging and rebellious, as in the painting "The Ninth Wave", but on the contrary, calm and comfortable. A lunar path runs almost in the center of the canvas, dividing it into two halves and it is here that it catches the eye. She illuminates the rest of the details of the picture: ships moored close to the coast. The view especially stops at a small bridge with a bathhouse and two girls. One swims, returning to the bath, and soon will present a naked wet body to the moon's gaze. Another girl, completely dressed, sits inside the gazebo, it seems that she has been waiting for a friend for a long time, and maybe a sister or mistress. And since the picture was painted in 1853, the variant with a maid and her mistress is more suitable.
If you take a closer look at the bath, illuminated from the inside by a bright lantern light, and two mysterious girls, your eyes again involuntarily pass to the sea and the moonlit path running along it. And it is not surprising, because it is the real main character of Aivazovsky everywhere. Each stroke of the water surface is written with such reality, with such clarity, as if the sound of a light breeze is heard and the salty taste of sea air is felt on the lips.
The iridescent glare of the moon on the sea surface, like a lamp, illuminates the beauty of the surrounding landscapes. What is the sky alone worth: from the darkness and haze, moonlight pulls out heavy ragged clouds hanging
over the seas. And the sea, thanks to the light, acquired a greenish mysterious tint, merging on the horizon with seemingly ephemeral clouds. Thanks to this, the landscape seems mysterious, unreal and a little magical. The combination of such a gloomy and heavy sky with a quiet and comfortable sea is not accidental: the artist showed that the calmness of the water surface is deceptive and ghostly, the elements can disperse in a matter of minutes and show the true nature of the storm.
On the right side of the picture, the embankment of the city and residential buildings peep out of the darkness, lamps are not lit in any of the windows - it can be seen, deep night, all the inhabitants are sleeping. The artist was able to use oil paints on canvas to convey this short moment of serenity and calmness of the sea element, when everything around seemed to freeze in anticipation of something important. Soon the morning will come and the haze of mystery will disappear, a new day is coming!