Maxim Maksimych analysis briefly. Analysis of the chapter "Maxim Maksimych". Maxim Maksimych is a positive hero
The chapter "Maxim Maksimych" of M.Yu. Lermontov's novel "A Hero of Our Time" is dedicated to the meeting of the narrator and protagonist Maxim Maksimych with Pechorin. The clash of opposing characters allows you to understand them deeper.
Pechorin acts as an antihero, he is complex, multifaceted, ambiguous, lively and incredibly real person. Pechorin is a bright representative of his era. This is a smart, educated officer of noble blood. In search of the application of his many talents, the young man constantly languishes in agony. He cannot find the meaning of his existence, his place in this world. Pechorin is constantly on the move, death also finds him on the road. Despite his youth, a hero appears before us, tired of life. Lermontov managed to portray a restless hero, tormented by loneliness and longing. For the sake of his own fun, Pechorin goes on an adventure, which consists in playing with the fate of the people around him. But even this does not take long for the selfish youth. Such a pure feeling as love distracts him only for a while. He also turns his back on his loved ones, causing them to suffer.
It is through the eyes of the old staff captain that Pechorin is shown to us. Maxim Maksimych is an open person, possessing kindness of soul and a sincere heart. He has been in the Caucasus for a long time, he knows the locals very well, their customs and customs, he is well versed in the surroundings. He clearly fulfills his army duty, values calmness and does not rush in search of adventure. He appreciates friendship, he remembers his rank of military leader only in case of obscene behavior of his colleagues.
The old officer, having heard about the arrival of his old acquaintance, expects a meeting with trepidation, he thinks that Pechorin will certainly be glad to meet him. Pechorin does not rush to a meeting, he even hurries to leave without meeting Maxim Maksimych. Seeing the cold in Pechorin's eyes, the old warrior was dumbfounded, he wanted to burst into tears. He wanted to throw himself on his friend's neck, but he only coldly extended his hand to him. This scene is a very good indicator of the human qualities of the main characters of the novel. The open, good-natured, sympathetic old staff captain Maxim Maksimych is opposed by the selfish, adventurous, young rake Pechorin, tired of life. Pechorin neglects the dearest people, he easily rejects sincere human qualities.
The chapter "Maxim Maksimych" is the finale of the work, the finale of Pechorin's life. St. Petersburg, and Pyatigorsk, and Taman, and the Caucasus were left behind, a whole series of life events, of which he could not single out anything. Everything for Pechorin was gray and ordinary. Life could not captivate him, probably because of such a trait of his character as narcissism. He could not love everyone and everything except himself. The complexity and inconsistency of the character of Pechorin Lermontov also continues in appearance, which has a number of features. A strong physique as opposed to gentle hands, a smile on his lips, but cold eyes. Pechorin is a bright beautiful individuality with a difficult inner world even for himself.
Detailed Analysis
Roman M.Yu. Lermontov "A Hero of Our Time" is an amazing work. It does not have a single plot, and each chapter is a separate story, interconnected only by the figure of the main character. Such a construction contributes to the most complete and deep analysis of the image of the protagonist.
The story "Maxim Maksimych" is a link between the chapters of "Bela" and "Pechorin's Journal". This is the smallest story of all chapters. There is no action here. This is just an episode of the meeting of two once familiar people.
A distinctive feature of the character of Maxim Maksimovich was his craving for people, faith in them. From the first minutes he knew how to arrange the interlocutor to himself. Having taken direct part in the fate of Pechorin, Maxim Maksimovich was the first to suggest that he communicate "without formalities."
Rejoicing at a chance meeting with an old acquaintance, Maxim Maksimovich for the first time neglected important army affairs, putting them aside.
Concentrating on the service, Maxim Maksimovich failed to start a family. But the monotonous military life did not break our hero. She only made his character harder, teaching him to find joy in the most ordinary things.
Speaking of Maxim Maksimych, a number of critics call him a "kind simpleton" who does not even suspect "how deep and rich his nature is."
Having not received a proper education, having the most mundane views on life, Maxim Maksimovich is ready to selflessly help everyone in trouble. Having accepted Bela as a daughter, Maxim Maksimych sympathizes with her, worries about her.
At the same time, Maxim Maksimych, completely surrendering to the performance of military duty, does not oppose fate and circumstances. He takes them for granted. Unlike Pechorin, Maxim Maksimovich is not looking for the meaning of life. He just lives. Accepting life as it is.
Having learned that Pechorin is coming to their yard, Maxim Maksimovich looks forward to a pleasant meeting. He even runs out the gate to meet his old friend. And meets tired of life young man, for whom Maxim Maksimovich was just the "next" person with whom fate brought him together.
He does not want a single extra minute to be alone with the old servant, who became an unwitting witness to his next emotional drama. And when Maxim Maksimovich reminds him of the young Circassian, Pechorin speaks of her "forced yawning."
And only after the words “this is not how I thought to meet you”, friendly feelings for the old man wake up in Pechorin for a second, and he allows himself to hug Maxim Maksimych. And he immediately leaves, as if afraid to let someone into his soul, afraid that someone will figure out what heavy feelings corrode his soul.
The last meeting between Maksim Maksimych and Pechorin could well be called accidental. However, in the structure of the novel itself, this meeting is not accidental.
It is in the story "Maxim Maksimych" that the author clearly formulates his attitude towards his hero: he does not approve of his act. Lermontov's conclusion is clearly read between the lines: "How little common man for happiness and how easy it is to make him unhappy.”
From a seemingly random episode, we learn more about Pechorin than from all other chapters. Therefore, even without the image of Maxim Maksimovich, the image of Pechorin would have remained misunderstood and incomplete.
Option 3
Maxim Maksimych is a key person in the work of Lermontov, who received the title "Hero of Our Time". The heads of "Bela" and "Maxim Maksimych" help to compose his image. The author tries to clearly convey what is happening in the soul of the protagonist, who wants constant adventure and lives in the spirit of adventurism.
The narrative of the chapter "Maxim Maksimych" is a logical development of events in the chapter "Bela". Despite the fact that there is no special compositional development in it, the author shows how Pechorin treats his close friends.
Pechorin meets with Maxim Maksimych. From the story, the reader learns that the man used to work as a staff captain. He had to stay in the Caucasus for a long time. During this time, he perfectly studied the territory, as well as the traditions and cultures of the local population, which meets him quite hospitably. Maxim Maksimych is a man with a huge heart, which is distinguished by special kindness. He was friendly to each of his subordinates. Friendship for him was in the first place, so he especially valued those with whom he had a chance to develop close relationships.
The main characters meet unexpectedly, Maksim Maksimych sees a carriage in the distance, which was left under the guard of a footman. The footman says that Pechorin arrived on it. The man immediately sends a messenger to him with news, but Pechorin does not respond to his invitation and does not come to visit the man.
When he goes on business, he meets Pechorin in the city, he is already ready to go further. Maxim Maksimych runs after him to talk with an old comrade, but Pechorin extends his hand distantly and coldly.
They talk about unimportant things, the captain asks if Pechorin wants to pick up a number of documents, but it turns out that the old friend does not need papers.
After a short conversation, Maxim Maksimych has an unpleasant aftertaste. He did not expect his comrade to react in this way to the meeting. He is used to the fact that friendship is one of the main values for him, he happily meets all new and old friends, spends time with them, talks and invites to visit if such an opportunity arises. Pechorin is deprived of such an opportunity, he does not understand the value of relations between people, he is ready to do as he pleases, while not thinking about the feelings of others. The spirit of adventurism does not allow him to reflect on the value of human relationships.
One of the greatest works in ancient Russian culture is considered to be The Tale of Igor's Campaign. The book tells the story of the defeat during the campaign on the lands of the Polovtsians. The account of the lost battle is not accidental
So the hot time of vacations and sea adventures has ended. Increasingly, the sky is overcast with lead clouds, the evenings have become cold and long, but during the day you can still soak up the rays of the warm sun.
The Rostov family appears very often in Tolstoy's novel War and Peace. All events take place around her, the whole family or its members somehow participate in all the ups and downs and actions that take place in the work.
Literature lesson
M. Yu. Lermontov "A Hero of Our Time", Grade 9
"The history of the human soul ..." (Chapter "Maxim Maksimych")
The purpose of the lesson. Determine the reasons for the alienation of the "common man" Maxim Maksimych and Pechorin.
Tasks. 1. The introduction of the concept of "psychological portrait", the repetition of the concept of "artistic detail" as a means of revealing the character, the soul of the hero.
2. Improving the skill of expressive reading.
3. Formation of the ability to analyze, interpret the text, the ability to express and argue one's own opinion.
4. Development of reflective-analytical thinking.
5 . Moral and aesthetic education.
Equipment, TCO, visibility.
Multimedia projector, screen.
On the board - the topic of the lesson, the epigraph.
Epigraph.
…And embraced by darkness and cold
My soul is tired...
M. Yu. Lermontov
During the classes.
Teacher's word.
slide 1
I would like to start our lesson with the words of V. G. Belinsky about the novel by M. Yu. Lermontov "A Hero of Our Time": "... our eyes fell on the first page - and the pages began to turn over one after another at hand."
Indeed, reading the novel is a real pleasure.This is an amazing psychological novel in which “you will not find a word that could be thrown out or inserted; the whole novel from beginning to end sounds like one harmonic chord.
Lermontovwrote the first book in Russian literature in which the main thing is not the course of events and not the mutual relations of the characters, but those internal processes that occur in the mind, heart and mind of a person.
The value of the novel is thatit includes moral and philosophical questions that are important in any era: to accept or not accept the world if a person cannot achieve happiness in it? What choice should be made: in favor of blind faith in predestination or in favor of a rational, free attitude to being?
And they are connected with the image of the main character, "the hero of his time" - Grigory Alexandrovich Pechorin.
But the character of the hero is a mystery thatThe reader will have to unravel it gradually, from chapter to chapter. Today we turn to the chapter "Maxim Maksimych".
Reporting and recording the topic of the lesson . slide 2
- We will call our lesson that - “The history of the human soul ...” (Chapter “Maxim Maksimych”)
slide 3
- Reading the first story "Bela", we were captured by the dramatic story of Pechorin's love for a Circassian woman.
- How did you see the main character from Maxim Maksimych's story about him?
Why does he seemMaxim Maksimych strange?
- Lermontov has an amazing poem written on behalf of an old soldier - “Testament” (read by the teacher)
slide 4
Alone with you brother
I would like to be:
There is little in the world, they say
I have to live!
You will go home soon
Look... What? my destiny
To tell the truth, very
Nobody is concerned...
…My father and mother are hardly
Will you stay alive...
But if one of them is alive,
Tell me I'm lazy to write
That the regiment was sent on a campaign
And not to be expected.
- All this could probably be said about himself by Maxim Maksimych, a noble and strong-willed officer who for years exposed himself to military danger.
- What did you find out about him?
(Ordinary army officer. Service and life in the Caucasus influenced his soul and perception of life. He has seen a lot, he has a lot of experience behind him. He spent a lot of time in distant impregnable fortresses. Life among the soldiers, of course, affected his character. We see that he has a rather narrow outlook. But this is not a consequence of his nature, but a consequence of the fact that for many years his entire circle of contacts consisted of Circassians and soldiers. Through his eyes we look at the Circassians, their traditions and way of life. And we see that he enjoys their respect (invitation to the wedding)).
Despite the fact that he speaks of them with obvious disdain, he nevertheless studied their language well, knows their customs and customs well.
- Premember how he talked about the fact that he had no family (“I have no family. I have not heard of my father and mother for twelve years ...”).
- TOto whom does he give all his unspent feeling of love?
(He is very attached to Bela, fatherly loves her and Pechorin - the only person, perhaps, close to him - and so far away!)
- Isn't this a quality worthy of respect and admiration!
- Did you pay attention to how the story "Bela" ends? Published in Otechestvennye Zapiski in 1838 as an independent work, it would have been one. But pThe last paragraph is dedicated not to Bela, not to Pechorin, but to Maxim Maksimych.
She, as it were, prepares the transition to the next story, where Maxim Maksimych will take an even more important place - and she is named after him!
Althoughthe main person in it is, of course, Pechorin.
Analysis of primary perception . slide 5
Chapter"Maxim Maksimych" ...
Less interesting in content, at first glance it seems so simple: there are no sharp clashes or struggles in it, no one dies here, as in Bela, Princess Mary or Fatalist.
- What is it about? What is its plot?
/ the plot is extremely simple: three people meet in Vladikavkaz and soon leave, each in his own way /.
- What an impressiondid the story affect you?
Why?
- Which story made a sadder impression on you, "Bela" or "Maxim Maksimych"? Try to explain the reasons for this.
Transition to the topic of the lesson (slide 5)
- Why does the meeting between Maxim Maksimych and Pechorin end so sadly? Where and why is Pechorin in such a hurry?
To answer these questions, we turn to the text.
Teacher's word. In the story "Bela" we hear about Pechorin from the lips of a person who knew him closely, but was unable to understand the complex nature of the hero, a man of a completely different consciousness - Maxim Maksimych. They are too different. Here the reader learns about Pechorin from the author, a wandering officer. This is a man of the Pechorin warehouse, with much greater insight.
Erthrough the eyes is given a portrait of the protagonist of the novel.
Introduction of the concept of "psychological portrait". Contradictions in the image of Pechorin.
- Only here, in the middle of the five parts that make up the novel, Lermontov paints a portrait of Pechorin, and in a way that no one has done before him.
In order to more accurately imagine what this portrait brought to Russian literature, let us turn to Pushkin.
Pushkin's portraits are brief. Almost always, he reports the age of the hero, the color or general appearance of clothing, and the most general idea of \u200b\u200bthe appearance.
Slide 6
In The Shot, the count was "a man of about thirty-two, handsome in appearance,"
Dunya in " stationmaster"-" a girl of fourteen years old ... Her beauty struck me.
“The main thing in all Pushkin's portraits is that they provide material for illustration, but do not help to understand the character, the psychology of the hero. Pushkin did not set such a task. In his prose, the characters of people are revealed in deeds, in action ... "
N. G. Dolinina
(give information about Natalya Grigoryevna Dolinina, a teacher and author of books about Russian classics).
Slide 7
- Lermontov has a different task : “to understand the “history of the human soul”, to look into this soul as deeply as no one has looked before.
Everything is subordinated to this task: the composition of the novel and the selection of characters, descriptions of nature and dialogues. The portrait of Pechorin, the first psychological portrait in Russian literature, serves to fulfill the same task.
-So, let's write in a notebook: "Pechorin's portrait is the first psychological portrait in Russian literature."
- HWhat is a psychological portrait? Try to formulate yourself.
Slide 8
Psychological portrait - a description of appearance, combined with the penetration of the writer into the soul of the hero and with psychological analysis; such a portrait reveals the complexity and diversity of the character's appearance.
Slide 9
Hshading by the teacher of an excerpt - a portrait of Pechorin.
The task(give before reading).
What features of appearance are shown in the portrait of Pechorin?
What detailsallow you to penetrate into the soul of the hero, to reveal his character?
Repetition of the concept of "artistic detail".
Slide 10 "Artistic detail"
Slide 11.
Analysis of the portrait of Pechorin.
First describedgrowth, addition of the hero .
“He was of medium height, slender, thin frame and broad shouldersproved a strong constitution, capable of enduring all the difficulties of nomadic life and climate change , not conquered either by the debauchery of metropolitan life, or by spiritual storms ... "
- For the writer, as we see, it is not the picturesque impression of Pechorin that is important, but those features of appearance that help to understand his character. Immediately - at first glance - a strong person, both physically and mentally, is guessed in Pechorin.
The family aristocrat (small hands, pale fingers, dazzlingly clean linen) - instead of shining in the living rooms - sits on a bench at the gates of a dirty hotel and waits for his horses to be pawned. Why is he here? Why? Some inconsistency is immediately evident. In everything we read further, this sense of inconsistency will intensify.
“His gait was careless and lazy, but ... he did not swing his arms, a sure sign of a secrecy of character ... When he sat down on the bench, his straight frame bent, as if he did not have a single bone in his back ... "
Negligence - and restraint. Slenderness, straightness of the camp - and relaxation. CancelAgainst Pechorin's strong build at first, the author now finds in his posture "nervous weakness" and even something feminine.
The same strangeness, unusualness, inconsistency- in the face .
“At first glance at his face, I would not have given him more than 23 years, although after that I was ready to give him 30.”
"Women's tenderness" of the skin; blond curly hair; pale, noble forehead - and traces of wrinkles ....
The appearance of a young, gentle boy - and a mature man at the same time.
Everything is unusual in this face.
- They say, eyes - the mirror of one's heart. Lermontov devotes a whole paragraph to the eyes of Pechorin.
"They didn't laugh when he laughed!"
Let's summarize our observations.
/ portrait of Pechorin testifies, with oneon the one hand, about the complexity and inconsistency of his nature, and on the other hand, about his fatigue and coldness (eyes) /
-As you can see, Lermontov through appearance shows psychology, character, soul.
This was learned from him by Gogol, Dostoevsky, Tolstoy - those great writers whom we call classics.
Analysis of the illustration - a portrait of Pechorin.
- What character traits are conveyed in this portrait?
Meeting scene analysis Maxim Maksimych and Pechorin.
Drawing up a "score of feelings" for their dialogue.
- Let's move on to key stage- a meeting between Maxim Maksimych and Pechorin.
1) What do you think their meeting should have been like?
(question requires creative imagination, the ability to recall the content of "Bela" from a new angle)
2) Reading the episode of the meeting in faces
(from the words "I turned to the square and saw ..." to "his eyes filled with tears every minute").
3) Problem statement.
FROM lay 12
- Let's analyze the first moment of the meeting. From lexical means, we note the role of adverbs.
- The calm, slow tone with which Lermontov tells about Pechorin is replaced by the frantically fast, breathless rhythm of the story about Maxim Maksimych (text).
- Intermittent, rapid breathing of a running excited person is heard in the description of MMaksimych's axim is as undeniable as we heard Kazbich's passionate speech in his native language in Bel.
And immediately the fast, frantic pace is replaced by a slow one.
- Pechorin held out his hand to Maxim Maksimych. How?
/ "he wanted to throw himself on Pechorin's neck, but hepretty cold , albeit with a friendly smile, extended his hand to him.
Two long, similar words: “rather coldly” - and a slowing down phrase “although with a friendly smile” - and again a long drawn-out word “stretched out” is so unlike the quick words that draw Maxim Maksimych!
- And Maxim Maksimych? / greedily matched /
- WhyMaksim Maksimych was "stupefied" at first?
Conclusion: this is how both souls are revealed in one phrase (which ones?): loving, waiting, open - and cold, indifferent, closed.
/children try to draw a conclusion first themselves/.
Read them. What remarks accompany them?
/ said - muttered from tears ami on the eyes / .
- Versus words Maksim Maksimych Pechorin's remarks turn out to be what?
/deadly cold, empty, soulless/.
- How does the syntax of the sentences convey the state of mind of the characters?
(Reading 4, 5 phrases).
-Maxim Maksimych's speech is emotionally colored. What end signs predominate in it?
/exclamatory, interrogative/.
- What sign constantly interrupts his remarks? What do the multiple dots mean?
/Maxim Maksimych is confused, agitated, his speech is inconsistent/.
- Pechorin's phrases are calm, smooth. What does it say?
- We continue to observe important details in Pechorin's speech and behavior. To the ardent questions of the staff captain: “Well, are you retired?” - he answers in monosyllables, smiling: “I missed you.” In this word is the answer to all the questions of the old man. Missed all 5 years. Out of boredom, I decided to go to Persia. He is bored even now, having met an old friend. I would be bored with him too - that's why I don't want to linger. There are no other reasons - only boredom!
What does his smile say? How to understand a strange person?
Is it still pleasant for him to see Maxim Maksimych, or is his smile mocking? / this is rather a bitter irony over himself /
- Maxim Maksimych is full of memories, cannot help but talk about what, perhaps, it is tactless to remind /text/.
“Pechorin turned a little pale and turned away ... (Pause!)
- Yes I remember! - he said, almost immediately forced a yawn ... "
What is the most important detail that grabs our attention?? (Pechorin a little turned pale and turned away (note that he does not answer immediately!)
- Why "slightly turned pale and turned away"? Why "forcibly yawned?
- Maybe he still hasn't forgiven himself for what happened to Bela and he's still in a lot of pain?
Indifferent to everything in the world, including his own fate, he cannot calmly endure this reproach that he has not forgiven himself, just as he cannot calmly recall the story with Bela in a conversation with Maxim Maksimych over pheasant and Kakhetian!
Pechorin knows that meeting with the old man will not dispel his boredom, and bitterness will only intensify, and therefore avoids difficult explanations. He is afraid to resurrect the old pain.
Natalia Dolinina withreads that“This is called selfishness. Because of not bothering himself with memories, he is so cold towards the old man who was close to him; in order to protect his soul from pain, he, without hesitation, injures someone else's ... " (slide 13 )
- Do you agree with her opinion?
- How does he react?Maksim Maksimych to Pechorin's refusal to stay for only two hours? What details show his condition?
Episode with diary
And again this man is strange.
- What does he propose to do with his diary?
Pushing away maybe the only lover, a person devoted to him, he repels himself, his past - after all, it is in those papers that he renounces.
What is dear to him in the world? Is it really nothing?
- Rfuck, I presented our observations on the text in this table
( slide14)
Final conversation .
- Let's summarize our observations on the images of Maxim Maksimych and Pechorin.
The image of Maxim Maksimych
In a small work, the author managed to recreate the unique image of Maxim Maksimych - a simple-hearted and kind man, true to his affections. He is capable of deep and strong feelings, and at the same time he has self-control. This, according to V. G. Belinsky, is “a kind simpleton who does not even suspect how deep his nature is, how high and noble he is.”
Such people are rare, and friendship with them is happiness.
Pechorin met with such a person and passed by. To what extent it is necessary to be disappointed in people, to lose interest in life, for this to happen!
The image of Pechorin
Consider what happened with t. sp.Maksim Maksimych. His resentment habitually translates into an old man's grumbling for the new century. He cannot understand the true reasons for Pechorin's behavior and explains in his own way (text).
- What does Maxim Maksimych feel? Do we understand his feelings? Is he right when he says that Pechorin neglected him, because. he is "not rich, not official"?
Unfortunately, the captaincould not understand that he had met with another Pechorin.
What?After all, this chapter is the last one!
/ Spiritually broken, disappointed /.
Epigraph analysis.
From the former irrepressible energy of interest in people is gonehere and there (remember "Bela", "Taman").
Indifference and apathyroared in his soul. Everything hurt him so badly that he had no desire either to tell about himself or to listen to another (he didn’t ask Maxim Maksimych about anything!)
Being a perceptive person, he could not help but notice the joy of Maxim Maksimych from the meeting and grief, but Pechorin was not up to him.
He says to Maxim Maksimych: "I'm in a hurry." But in fact he is running. From whom or what?
/From myself/.
Once he wrote that the "Diary" would eventually be a precious memory for him, but now he is indifferent to the fate of his notes. The past is crossed out, the present is not happy. The future is hopeless.
Such are the bleak results of an outstanding, gifted personality.
13 . Illustration analysis . slide 15.
- Guys, before you is an illustration of N. N. Dubovsky for the novel. Read a piece of texta corresponding to it. What does he convey?
/ Few words convey the confusion of feelings, thoughts of the old army man: “For a long time neither the ringing of a bell, nor the sound of wheels on a flinty road was heard, and the poor old man was still standing in the same place in deep thought.” /
- And yet, who do we pity more - Maxim Maksimych or Pechorin? Why?
- Oh whatm same story? moral lessons(about pain and loneliness, about the happiness of understanding, about eternal values - love for people, for the motherland, about friendship ...)
14 . teacher's word . slide 16
"Hero of our time". "A portrait made up of the vices of our entire generation in their full development."
We saw the hero in two episodes of his life, separated from each other by five years.
In "Bel" he was active, active, tireless, he went to the wild boar alone, he was not afraid of either Chechen bullets or Kazbich's dagger. But even then Maxim Maksimych was amazed at the sudden variability of his character: “... and another time he sits in his room, the wind smells, he assures that he has caught a cold; If a shutter knocks, he shudders and turns pale…” Five years later, he became cold and indifferent – that’s all we know.
Five long years passed lonely, fruitless, no joys, no hopes, no activity arose ...
There is no hope, there is no future. Pechorin is doomed. Why?
Open the veilover this secret of Pechorin's soul, the very sheets that were carelessly left by the hero at Maxim Maksimych will help - "Pechorin's Diary".
But that's the topic of the next lesson.
15 . Homework : reread "Taman", answer the questions:
What is the role of landscape in the story?
How is the romantic atmosphere gradually destroyed?
How is the character of Pechorin revealed in the story?
In Vladikavkaz, the narrator stayed at a hotel where there was no one even to cook dinner, and found out that he would have to stay here for another three days until there was an opportunity to go to Yekateringrad. He spent the first day very bored, and in the morning Maxim Maksimych appeared at the hotel.
They met like old friends and sat for a long time over a bottle of Kakhetian wine.
Pechorin's arrival in the city
Through the window, the narrator saw several wagons and a light, dapper carriage drive into the yard. Friends questioned the servant who was following in the carriage, and it turned out that, among others, Pechorin also arrived, who stayed overnight with Colonel N. Maxim Maksimych was terribly delighted, asked to inform the master about himself and sat down on a bench outside the gate to wait for an old friend. But the wait was in vain, Pechorin did not appear that day. At night Maksim Maksimych tossed and turned and sighed for a long time. and in the morning, before dawn, he was already sitting on the bench again. Then the staff captain was forced to go on business, but asked the narrator to immediately send for him if Grigory Alexandrovich came up.
Pechorin appeared ten minutes after his departure. He was a young man of aristocratic appearance. At first glance, it was impossible to give him more than twenty-three years, but looking closer - all thirty. The most remarkable thing about his appearance was his eyes: they did not laugh when he laughed, and this is a sign of either an evil disposition or a deep one. constant sadness. The narrator immediately sent the invalid to the commandant's office to call Maxim Maksimych.
Meeting of Maxim Maksimych and Pechorin
After some time, Maxim Maksimych ran into the hotel. Barely catching his breath, he wanted to throw himself on Pechorin's neck, but the latter rather coldly held out his hand to him. They greeted each other and talked a little. Grigory Alexandrovich reacted very restrainedly to the enthusiastic reminiscences of the staff captain, then he said that he was going to Persia and was in a hurry. When he was already driving away, the old man asked what to do with the papers that Pechorin had once left in the fortress. Grigory Apeksandrovich casually replied that these notes did not interest him, and the carriage moved off. Maksim Maksimych remained standing on the road. There were tears in his eyes: he was so hurt by such an attitude of an old friend. The narrator asked him for Pechorin's notebooks. The old man gave, but transferred his annoyance to his fellow traveler, said goodbye to him very dryly, turning from a kind, glorious old man into a stubborn and quarrelsome staff captain. The narrator left alone.
The story "Maxim Maksimych" in its role in the structure of the novel performs a connecting function: it connects the story "Bela" and "Pechorin's Journal" both in plot and in ideological terms. Pechorin, having parted with Maxim Maksimych in the previous story, soon meets him in Vladikavkaz, where the short action of the chapter-bundle unfolds. There he receives from the staff captain notebooks with Pechorin's notes, which formed the basis of the Pechorin Journal.
The stylistic atmosphere of the narrative is changing: if in “Bel” events are described against a traditionally romantic background while maintaining realistic sobriety in the description of characters and events, then the story “Maxim Maksimych” is realistic both in style and in subject matter. It shows the meeting of a wandering writer, a listener to the story of Pechorin and Bel. Maxim Maksimych and Pechorin himself. This meeting is also significant in that, at the will of the author, all three narrators in the novel came together, that is, as if three views of the world, three angles intersected.
The ideological side of the novel is emphasized by the strangeness in Pechorin's behavior. Firstly, the reader is unpleasantly surprised that Pechorin is in no hurry to see Maxim Maksimych. The second oddity is manifested in Pechorin's indifference, alienation from what is happening, as well as in the persistent mention of Persia, where the hero is heading. And finally, the third oddity lies in the ease with which Pechorin refuses his notes, which so frankly reveal the intimate sides of his soul.
Meanwhile, all oddities have an explanation. First of all, Pechorin unconsciously avoids meeting with Maxim Maksimych, because he does not want to be reminded of tragic history his love, and besides, he clearly feels an acute sense of guilt. Let's remember the text:
As soon as Maxim Maksimych got used to it, he immediately asked Pechorin a painful question for him:
- Do you remember our life in the fortress? .. A glorious country for hunting! .. After all, you were a passionate hunter to shoot ... And Bela? ..
Pechorin turned slightly pale and turned away.
- Yes I remember! he said, almost immediately with a forced yawn...
The choice of Persia for travel is also not accidental. The name of the country sounds three times, the author emphasizes Maksim Maksimych's bewilderment about this. The fact is that for the cultured Russian reader of that time, any mention of Persia carried a tragic connotation, evoking the death of Griboyedov. Thus, Lermontov includes Pechorin in the dramatic series of Russian intellectual nobles, united by a common fate. Pechorin's words: "I'm going to Persia - and further ..." - can be understood in such a way that the hero is traveling towards inevitable death. And the ease with which Pechorin leaves his notes indicates that the hero is alienated from life, from people and himself, so for him they are like a diary of another person whose revelations have nothing to do with him.
Maksim Maksimych - minor character novel by M.Yu. Lermontov "A Hero of Our Time". The article provides information about the character from the work, quotation characteristic.
Full name
Not mentioned. Maxim Maksimych himself asked to be called that way:
just call me Maxim Maksimych, and, please, what is this full form for?
Age
He seemed to be in his fifties
Attitude towards Pechorin
At the beginning paternal:
He was a nice fellow, I dare to assure you; just a little weird.
- What you? What are you? Pechorin?.. Oh, my God!.. didn’t he serve in the Caucasus?.. exclaimed Maxim Maksimych, tugging at my sleeve. Joy sparkled in his eyes.
After all, he’ll come running right now! .. - Maxim Maksimych said to me with a triumphant air, - I’ll go outside the gate to wait for him ...
such was the man: whatever he thinks, give; apparently, in childhood he was spoiled by his mother ...
his face did not express anything special, and I became vexed: if I were in his place, I would have died of grief.
But after the meeting in the chapter "Maxim Maksimych" disappointed and offended:
The old man frowned... he was sad and angry, although he tried to hide it.
- Forget! he grumbled, “I haven’t forgotten anything… Well, God bless you!.. That’s not how I thought to meet you…”Yes,” he said at last, trying to assume an air of indifference, although at times a tear of annoyance flashed on his eyelashes, “of course, we were friends, well, what are friends in this century!.. What does he have in me?
Appearance of Maxim Maksimych
Her master followed her, smoking from a small Kabardian pipe, trimmed in silver. He was wearing an officer's frock coat without an epaulette and a shaggy Circassian hat. He seemed about fifty; his swarthy complexion showed that he had long been familiar with the Transcaucasian sun, and his prematurely gray mustache did not correspond to his firm gait and cheerful appearance.
social status
A staff captain who has been serving in the Caucasus for a long time.
He was wearing an officer's frock coat without an epaulet and a Circassian shaggy hat.
Yes, I already served here under Alexei Petrovich, ”he answered
Now I count in the third linear battalion.
Further fate
Probably continued to serve. Nothing else is mentioned in the novel.
Personality of Maxim Maksimych
Maxim Maksimych is a very positive character. He is a father to the young, trying to teach them something.
He was so thin, white, his uniform was so new, (about Pechorin)
“Hey, Azamat, don’t blow your head off,” I told him, the yaman will be your head!
Listen, Grigory Alexandrovich, confess that it’s not good ... that you took Bela away ... .
Nice was the girl, this Bela! I finally got used to her as much as I would to a daughter, and she loved me.
Listen, Bela, after all, he can’t sit here forever as if sewn to your skirt: he is a young man, loves to chase game, it’s like, and he will come; and if you are sad, you will soon get bored with him.
About myself
I do not drink. … I gave myself a spell.
Yes, please, just call me Maxim Maksimych, and, please, what is this full form for? always come to me in a cap
Yes, I confess,” he said later, tugging at his mustache, “I felt annoyed that no woman had ever loved me so much. (about Bela's love for Pecheron)
I must tell you that I don’t have a family: I haven’t heard of my father and mother for twelve years, and I didn’t think of getting a wife before - so now, you know, it doesn’t suit me.
Maksim Maksimych often talks about life
After all, there are, really, such people whose family is written that various unusual things should happen to them!
“Of course, in their language,” said the staff captain, “he was absolutely right. (about revenge)
Yes, sir, and one can get used to the whistle of a bullet, that is, one can get used to hiding the involuntary beating of the heart.
Bad business in someone else's feast hangover