The main features of Oblomov. Positive qualities of Oblomov. Differences in the way Goncharov presents the appearance of Stolz and Oblomov

The central character of I. A. Goncharov’s novel “Oblomov” is Ilya Ilyich Oblomov, a gentleman “thirty-two years old”. The work is dedicated to the disclosure of his life philosophy, way of existence, his psychology.
The main character traits of Oblomov are apathy, laziness, inactivity. He lies on the couch all day, absolutely not interested in anything. But this state of affairs does not bother the hero at all: everything suits him in this existence: “Ilya Ilyich’s lying down was neither a necessity, ... nor an accident ...: it was his normal state.” On the contrary, Oblomov’s discomfort is caused by annoying “touches of life”.
However, this hero has his own dreams. In the chapter "Oblomov's Dream" the author describes them to us quite clearly. We see that native Oblomovka brought up in Ilya Ilyich a love for home comfort, peace and quiet: "Happy people lived, thinking that it should not and cannot be otherwise."

r /> Love, care, warmth and affection were vital for this person. Let's remember his dreams of ours family life. Oblomov dreamed of a wife-mother, a wife-mistress, and not a passionate mistress: “Yes, passion must be limited, strangled and drowned in marriage ...” He imagined a very warm pastime - in a peaceful circle of family and loving friends. Here, conversations would be held about art, about events taking place in the world, etc.
It is the need for such a life - where everyone loves each other, is satisfied with each other and with themselves - and is, it seems to me, life ideal Oblomov. It was for this that Olga Ilyinskaya called the hero a “heart of gold”, because he knew how not only to take love, but also generously give it, share it.
Of course, Oblomovka cultivated not only this in her Ilyusha. She brought up in him a fear of life, and indecision, and laziness, and helplessness, and snobbery. And besides, it was a completely distorted idea of adult life.
All this - both positive and negative - manifested itself in the life of the hero later. We know that in his youth, Oblomov, supported by Stolz, dreamed of improving himself, changing himself and the world around him. However, if Stolz began to realize his dreams, then Oblomov's words remained only words.
Arriving in St. Petersburg, the hero gradually became disillusioned with the service (“When will you live?”), Moved away from all affairs and lay down on the sofa. Somehow, imperceptibly, Oblomov lost almost all of his acquaintances, because in order to maintain communication, you need to make some effort. And it was absolutely unbearable for the hero.
Only once Ilya Ilyich perked up and began to change - falling in love with Olga Ilyinskaya.
r /> Then the hero was ready to do whatever his beloved wants. Ilya Ilyich really began to change - he forced himself to be interested in surrounding life move more, eat less. But in this story, Oblomov's uncertainty, his fear of change, played a tragic role. At one fine moment, he felt that he was not worthy of Olga, and wrote a letter to the girl with explanations: “Listen, without any hints, I will say directly and simply: you do not love me and cannot love me.”
After that, Oblomov's life went on as usual - he continued to lie in seclusion, communicating only with Zakhar and occasionally with Stolz.

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Composition Oblomov's character traits reasoning

Goncharov's novel "Oblomov" was written in the middle of the nineteenth century and accurately described a prominent representative noble society, who has a consumerist attitude to life and the people around him, cannot find application for his knowledge and abilities. This is the fruit of upbringing, accustomed from generation to generation to use slave labor, to live at the expense of another person.

The main character of the novel is Ilya Ilyich Oblomov. He repeats not only the name of his father, but also his habits and way of life. The life test for Oblomov was his studies at the boarding school. He studied well, but he was more happy when his parents, having come up with dozens of reasons, left him at home. After graduating from a boarding school, and then in Moscow, Ilya Ilyich enters the service. But even there he cannot hold out for more than two years. He is bored and not interested in doing any work.

He justifies his passivity by the fact that he has big plans for the future. Lying on the couch, he ponders a plan to rebuild the estate. But things do not go beyond dreams. And even his friend Andrey Stolz cannot stir him up. Going abroad on business, Andrei introduces Oblomov to Olga Ilyinskaya. But this acquaintance revived Oblomov's life only for a short time. Kind and honest by nature, Ilya Ilyich suddenly realizes that he cannot make Olga happy, that their views on life are very different.

He wants a calm, measured life, without difficulties and upheavals, to be surrounded by kind and loving people. The mistress of the house where he rented an apartment, the widow of Pshenitsyn, was able to provide him with such a life. Over time, she became his wife, the mother of his son, was for him a nurse, a guardian angel. Even Stolz, having come to Oblomov, realized that he could not change the life of a friend.

After the death of Oblomov, Stolz told the writer about his fate. He wanted readers to appreciate his pure soul and constant struggle with himself and the life around him.

Plan

Introduction
Conclusion

Introduction

Goncharov's novel "Oblomov" was written during the transition Russian society from obsolete, domostroy traditions and values to new, enlightening views and ideas. This process became the most difficult and difficult for representatives of the landowners. social class, as it required an almost complete rejection of the usual way of life and was associated with the need to adapt to new, more dynamic and rapidly changing conditions. And if a part of society easily adapted to the renewed circumstances, then for others the process of transition turned out to be very difficult, since it was essentially opposed to the usual way of life of their parents, grandfathers and great-grandfathers. Ilya Ilyich Oblomov is the representative of just such landlords, who failed to change along with the world, adapting to it. According to the plot of the work, the hero was born in a village far from the capital of Russia - Oblomovka, where he received a classic landowner, house-building upbringing, which shaped many of Oblomov's main character traits - lack of will, apathy, lack of initiative, laziness, unwillingness to work and the expectation that someone will do everything for him.
Excessive guardianship of parents, constant prohibitions, the calmly lazy atmosphere of Oblomovka led to a deformation of the character of a curious and active boy, making him introverted, prone to escapism and unable to overcome even the most insignificant difficulties.

The inconsistency of Oblomov's character in the novel "Oblomov"

The negative side of Oblomov's character

In the novel, Ilya Ilyich does not decide anything himself, hoping for help from outside - Zakhar, who will bring him food or clothes, Stolz, who can solve problems in Oblomovka, Tarantiev, who, although he will deceive, will figure out the situation of interest to Oblomov, etc. The hero is not interested in real life, it causes him boredom and fatigue, while he finds true peace and satisfaction in the world of illusions invented by him. Spending all his days lying on the couch, Oblomov makes unrealizable plans for the arrangement of Oblomovka and his happy family life, in many ways similar to the calm, monotonous atmosphere of his childhood. All his dreams are directed to the past, even the future that he draws for himself are echoes of a distant past that can no longer be returned.

It would seem that a lazy, lumberjack hero living in an untidy apartment cannot arouse sympathy and disposition in the reader, especially against the background of the active, active, purposeful friend of Ilya Ilyich - Stolz. However, the true essence of Oblomov is revealed gradually, which allows you to see all the versatility and inner unrealized potential of the hero. Even as a child, surrounded by quiet nature, care and control of his parents, subtly feeling, dreamy Ilya was deprived of the most important thing - the knowledge of the world through its opposites - beauty and ugliness, victories and defeats, the need to do something and the joy gained by his own work.
From an early age, the hero had everything he needed - helpful courtyards carried out orders at the first call, and parents spoiled their son in every possible way. Once outside the parental nest, Oblomov, not ready for the real world, continues to expect that everyone around him will treat him as warmly and affably as in his native Oblomovka. However, his hopes were destroyed already in the first days in the service, where no one cared about him, and everyone was only for himself. Deprived of the will to live, the ability to fight for his place in the sun and perseverance, Oblomov, after an accidental mistake, leaves the service himself, fearing punishment from his superiors. The very first failure becomes the last for the hero - he no longer wants to move forward, hiding from the real, "cruel" world in his dreams.

The positive side of Oblomov's character

The person who could pull Oblomov out of this passive state, leading to the degradation of the personality, was Andrei Ivanovich Stolz. Perhaps, Stolz is the only character in the novel who thoroughly saw not only the negative, but also the positive features of Oblomov: sincerity, kindness, the ability to feel and understand the problems of another person, inner peace and simplicity. It was to Ilya Ilyich that Stoltz came in difficult moments when he needed support and understanding. Pigeon tenderness, sensuality and sincerity of Oblomov are revealed during the relationship with Olga. Ilya Ilyich is the first to realize that he is not suitable for the active, purposeful Ilyinskaya, who does not want to devote herself to Oblomov's values - this betrays a subtle psychologist in him. Oblomov is ready to give up his own love, as he understands that he will not be able to give Olga the happiness she dreams of.

The character and fate of Oblomov are closely related - his lack of will, inability to fight for his happiness, along with spiritual kindness and gentleness, lead to tragic consequences - fear of difficulties and sorrows of reality, as well as the hero’s complete departure into a pacifying, calm, wonderful world of illusions.

National character in the novel "Oblomov"

The image of Oblomov in Goncharov's novel is a reflection of the national Russian character, its ambiguity and versatility. Ilya Ilyich is the same archetypal Emelya the Fool on the stove, about which the nanny told the hero in childhood. Like a character in a fairy tale, Oblomov believes in a miracle that should happen to him by itself: a benevolent firebird or a kind sorceress will appear who will take him to beautiful world honey and milk rivers. And the chosen one of the sorceress should not be a bright, hardworking, active hero, but always “quiet, harmless”, “some kind of lazy person whom everyone offends”.

Unquestioning faith in a miracle, in a fairy tale, in the possibility of the impossible - main feature not only Ilya Ilyich, but also any Russian person brought up on folk tales and legends. Falling on fertile ground, this belief becomes the basis of a person’s life, replacing reality with an illusion, as happened with Ilya Ilyich: “he has a fairy tale mixed with life, and sometimes he unconsciously feels sad, why a fairy tale is not life, and life is not a fairy tale.”

At the end of the novel, Oblomov, it would seem, finds that "Oblomov" happiness that he had long dreamed of - a calm, monotonous life without stress, a caring kind wife, an arranged life and a son. However, Ilya Ilyich does not return to the real world, he remains in his illusions, which become more important and significant for him than real happiness next to a woman who adores him. In fairy tales, the hero must pass three trials, after which he will expect the fulfillment of all desires, otherwise the hero will die. Ilya Ilyich does not pass a single test, first succumbing to failure in the service, and then to the need to change for Olga. Describing Oblomov's life, the author seems to be ironic about the hero's excessive faith in an unrealizable miracle, for which there is no need to fight.

Conclusion

At the same time, the simplicity and complexity of Oblomov's character, the ambiguity of the character himself, the analysis of his positive and negative sides, make it possible to see in Ilya Ilyich eternal image unrealized personality "not of his time" - " extra person", who failed to find his own place in real life, and therefore gone into the world of illusions. However, the reason for this, as Goncharov emphasizes, is not in a fatal combination of circumstances or the difficult fate of the hero, but in the wrong upbringing of Oblomov, who is sensitive and gentle in character. Grown like " indoor plant”, Ilya Ilyich turned out to be unsuitable for a reality that was hard enough for his refined nature, replacing it with the world of his own dreams.

positive and negative traits character of Oblomov, his inconsistency in Goncharov's novel | a source

Oblomov's character

Roman I.A. Goncharov "Oblomov" was published in 1859. It took almost 10 years to create it. This is one of the most outstanding novels classical literature our time. This is how well-known literary critics of that era spoke about the novel. Goncharov was able to convey realistically objectively and reliable facts of the reality of the layers of the social environment of the historical period. It must be assumed that his most successful achievement was the creation of the image of Oblomov.

He was a young man of 32-33 years old, of medium height, with a pleasant face and an intelligent look, but without any definite depth of meaning. As the author noted, the thought walked across the face like a free bird, fluttered in the eyes, fell on half-open lips, hid in the folds of the forehead, then completely disappeared and a careless young man appeared before us. Sometimes boredom or fatigue could be read on his face, but all the same, there was a softness of character in him, the warmth of his soul. Oblomov's whole life is accompanied by three attributes of bourgeois well-being - a sofa, a dressing gown and shoes. At home, Oblomov wore an oriental soft capacious dressing gown. He spent all his free time lying down. Laziness was an integral feature of his character. The cleaning of the house was done superficially, giving the appearance of cobwebs hanging in the corners, although at first glance one might think that it was a well-cleaned room. There were two more rooms in the house, but he did not go there at all. If there was an uncleaned dinner plate with crumbs everywhere, an unsmoked pipe, one would think that the apartment is empty, no one lives in it. He always marveled at his energetic friends. How can you spend your life like that, spraying on dozens of things at once. His financial condition wanted to be the best. Lying on the sofa, Ilya Ilyich always thought of how to fix it.

The image of Oblomov is a complex contradictory, even tragic hero. His character predetermines an ordinary, uninteresting fate, devoid of the energy of life, its bright events. Goncharov draws the main attention to the established system of that era, which influenced his hero. This influence was expressed in the empty and meaningless existence of Oblomov. Helpless attempts at rebirth under the influence of Olga, Stolz, marriage to Pshenitsyna, and even death itself are defined in the novel as Oblomovism.

The very character of the hero, according to the writer's intention, is much larger and deeper. Oblomov's dream is the key to the whole novel. The hero moves to another era, to other people. A lot of light, a joyful childhood, gardens, sunny rivers, but first you have to go through obstacles, an endless sea with raging waves, groans. Behind him are rocks with abysses, a crimson sky with a red glow. After an exciting landscape, we find ourselves in a small corner where people live happily, where they want to be born and die, it cannot be otherwise, they think so. Goncharov describes these inhabitants: “Everything in the village is quiet and sleepy: the silent huts are wide open; not a soul is visible; only flies fly in clouds and buzz in stuffiness. There we meet young Oblomov. As a child, Oblomov could not dress himself; servants always helped him. As an adult, he also resorts to their help. Ilyusha grows up in an atmosphere of love, peace and excessive care. Oblomovka is a corner where calmness and imperturbable silence reign. This is a dream within a dream. Everything around seemed to freeze, and nothing can wake up these people who live uselessly in a distant village without any connection with the rest of the world. Ilyusha grew up on fairy tales and legends that his nanny told him. Developing daydreaming, the fairy tale tied Ilyusha more to the house, causing inaction.

In Oblomov's dream, the hero's childhood and upbringing are described. All this helps to know the character of Oblomov. The life of the Oblomovs is passivity and apathy. Childhood is his ideal. There in Oblomovka, Ilyusha felt warm, reliable and very protected. This ideal doomed him to an aimless further existence.

The key to the character of Ilya Ilyich in his childhood, from where direct threads stretch to the adult hero. The character of the hero is an objective result of the conditions of birth and upbringing.

Oblomov Roman laziness character

The presented lesson is intended for the 10th grade of a comprehensive school. This is the second lesson in the study of the novel by I.A. Goncharov "Oblomov". The first lesson was devoted to the study of the Flemish craftsmanship of I.A. Goncharova, subject world in the novel.

Lesson type: art lesson.

Type of lesson: a lesson in in-depth work on the text of the work.

Lesson form: lesson - conversation (with elements artistic reading, discussions).

The purpose of the lesson: analyze "Oblomov's Dream", revealing those aspects of the life of the Oblomovites that influenced the formation of the dual nature of the hero (on the one hand, poetic consciousness, on the other - inactivity, apathy, laziness of life).

Tasks:

1. Cognitive:

Recall with students the function of sleep in work of art; give examples of previously studied works in which a dream was present.
To acquaint students with the compositional feature of using "Oblomov's Dream".
To identify the positive and negative features of the life of the Oblomovites, which influenced the character of Ilya Ilyich.

2. Developing:

The development of attention.
Development of thinking.
The development of the imagination.
The development of oral speech.

3. Educational:

Raising a love for literature lessons.
Raising interest in Russian traditions, features of the Russian national character.

Equipment: a portrait of I.A. Goncharov, a cassette with excerpts from the film by N. Mikhalkov “Six days in the life of Oblomov”.

Design: a portrait of I.A. Goncharov is attached to the board, the first part of the topic and questions that students will answer during the lesson are recorded.

During the classes:

I. Introductory stage:

Teacher's word: Today we have to get acquainted with a very significant chapter in the context of the novel, which is called "Oblomov's Dream". In addition, we will find out the compositional feature of its use, identify the features of the life of the Oblomovites, which influenced the formation of the character of Ilya Ilyich.

Conversation (about the tradition of using sleep in literature):

Note: Y - teacher's question; y is the student's answer.

U: Let's remember in what works we studied earlier there was a dream?

at: A.S. Pushkin "Eugene Onegin" - Tatyana's dream.

with: A.S. Pushkin " Captain's daughter"- the dream of Petrusha Grinev.

at: "Ballads" by V. Zhukovsky.

*U - teacher's question; y is the student's answer.

W: Yes, you are absolutely right. And what, in your opinion, is the function of sleep in these works, why do the authors use them?

y: Through a dream, the features of the inner world of the character are revealed, thoughts, fears of the characters are reflected here, in a distorted form, the future can also be represented in dreams.

U: And let's think about what is the peculiarity of the compositional use of sleep in the novel Oblomov?

u: The dream represents Oblomov's childhood, but Goncharov does not begin the novel with a description of childhood, but transfers it to chapter 9. Thus, the hero is first presented to us, and then only his personality is revealed.

II. Analysis of the work:

Teacher's word: And now let's move on to the consideration of "Sleep". Now we will hear the description of Oblomovka, which opens the "Dream". Let's try to find in it meaningful words, epithets (definitions that give the expression figurativeness and emotionality), with which the author conveys his attitude to this place.

Artistic reading of the passage by the student:

"Where are we? To what blessed corner of the earth did Oblomov's dream take us? What a wonderful land! No, really, there is a sea, there are no high mountains, rocks and abysses, no dense forests - there is nothing grandiose, wild and gloomy ...

The sky there, it seems, presses closer to the earth, but not in order to throw stronger arrows, but only to hug her tighter, with love: it spreads so low overhead, like a parent’s reliable roof, to protect, it seems, the chosen one corner from any misfortune.

The sun shines brightly and hotly there for about half a year and then leaves from there not suddenly, as if reluctantly, as if turning back to look once or twice at his favorite place and give him in the fall, in the midst of bad weather, a clear, warm day.

The mountains there seem to be only models of those terrible mountains erected somewhere, which terrify the imagination. This is a series of gentle hills, from which it is customary to ride, frolic, on your back or, sitting on them, look in thought at the setting sun.

The river runs merrily, frolicking and playing; it either spills into a wide pond, or aspires with a quick thread, or subsides, as if in thought, and crawls a little over the pebbles, releasing frisky streams from itself on the sides, under the murmur of which it sweetly slumbers.

The whole corner of fifteen or twenty versts around presented a series of picturesque sketches, cheerful, smiling landscapes. Sandy and sloping banks of a bright river, a small bush creeping up from the hill to the water, a twisted ravine with a stream at the bottom and Birch Grove- everything seemed to be deliberately tidied up one to one and masterfully drawn.

Exhausted by worries or not at all familiar with them, the heart asks to hide in this corner forgotten by everyone and live in happiness unknown to anyone. Everything promises there a calm, long-term life to the yellowness of the hair and an imperceptible, sleep-like death.

The student highlights epithets and significant words, the rest complement him: a blessed corner; wonderful edge; favorite place; picturesque sketches; cheerful, smiling landscapes, everything is quiet and sleepy, etc.

U: Make a conclusion about what this place was in Oblomov's life.

Y: This is an ideal place, a paradise for Oblomov.

Teacher's word: And now let's turn to real life in Oblomovka. And let's see if everything in it is really as perfect as it is presented in the description.

In order to recall the key aspects of the life of the Oblomovites, we will watch excerpts from N. Mikhalkov's film "Six Days in the Life of Oblomov". I ask you to divide into two teams, the task of one team will be to find positive moments in Oblomov's life, and the other - negative, negative moments. And in order to make it easier for you to highlight aspects, I suggest you pay attention to 3 areas:

Picture of the world.
Philosophy of life.
Child education.

And then, using examples from the film and supplementing them with examples from the text, we will answer the question: “Can we really call Oblomovka paradise and why?”

Viewing episodes from the movie:

Ilyusha's curiosity.
Mismanagement of the Oblomovites.
A comprehensive sleep like death.
Repetitive, fruitless evenings. A unifying beginning in laughter.
Prayer.

A discussion between two groups of students. The results of the discussion are drawn up in notebooks and on the board in the form of the following table.

"+" Oblomov life	"-" Oblomov life
Picture of the world
1. The unity of people with nature, nature is anthropomorphic, a person has no fear of it. 2. The unity of people with each other, the love of parents for Ilyusha.	1. Fence off of Oblomovka from outside world, even the fear of the Oblomovites before him (the story of the ravine, the gallery; there is no calendar in Oblomovka; fear of writing).
Philosophy of life.
1. A measured, calm life, where, as in nature, there are no cataclysms. Death, which comes imperceptibly, is also perceived as a natural process. 2. There is no place for evil in Oblomovka, the biggest evil is "stealing peas in the gardens."	1. Report of the student "Oblomov's daily routine." It shows that life is a mechanical repetition of food and sleep (equal to death), empty evenings and fruitless conversations. 2. Details that violate the measured life of the Oblomovites (the staggering porch, the hut of Onisim Suslov, the collapsed gallery). All this shows the inability of the Oblomovites to work, their attitude to work as a punishment, their hope in everything for “maybe”.
Child education
1. Mother's love. 2. Formation of a poetic spirituality in a child with the help of fairy tales, folklore.	1. Excessive love, leading to a fence from one's own activities. 2. Fairy tales give rise to fruitless dreams that a miracle can happen in life without difficulty, and this leads to the complete passivity of the hero. 3. Oblomov's upbringing "in Oblomov's way"

Teacher's word: So, we have reflected in our table the opposite sides of Oblomovka's life. And most often, the hero of the novel himself was evaluated, only taking into account one side that influenced his life. Here are two statements by critics, what side did they take in Oblomov?

N. Dobrolyubov: “In Goncharov's book, we see a living modern Russian type, minted with merciless rigor and correctness. What are the features of Oblomov's character? In complete inertia, which comes from apathy towards everything that is happening in the world ... "

A.V. Druzhinin: “The sleepy Oblomov, a native of the sleepy and yet poetic Oblomovka, is free from moral illnesses ... He is not infected with worldly debauchery. A child by nature and by the conditions of his development, Ilya Ilyich in many ways left behind the purity and simplicity of a child, which put the dreamy eccentric above the prejudices of his age.

W: Which of these researchers do you think is right?

Students come to the conclusion that both of these sides are in Oblomov's personality and neither one nor the other can be excluded or absolutized.

III. Lesson summary:

The class comes up with a topic for the lesson that would reflect the bidirectional nature of Oblomov's essence. (For example, "Oblomov's dream is the world of a sleepy and poetic soul.")

Oblomov's character

Roman I.A. Goncharov "Oblomov" was published in 1859. It took almost 10 years to create it. This is one of the most outstanding novels of classical literature of our time. This is how well-known literary critics of that era spoke about the novel. Goncharov was able to convey realistically objectively and reliable facts of the reality of the layers of the social environment of the historical period. It must be assumed that his most successful achievement was the creation of the image of Oblomov.

The image of Oblomov is a complex, contradictory, even tragic hero. His character predetermines an ordinary, uninteresting fate, devoid of the energy of life, its bright events. Goncharov draws the main attention to the established system of that era, which influenced his hero. This influence was expressed in the empty and meaningless existence of Oblomov. Helpless attempts at rebirth under the influence of Olga, Stolz, marriage to Pshenitsyna, and even death itself are defined in the novel as Oblomovism.

Oblomov Roman laziness character

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The pinnacle of creativity of the talented Russian prose writer and critic of the 19th century Ivan Goncharov was the novel Oblomov, published in 1859 in the journal Domestic Notes. His epic scale of the artistic study of the life of the Russian nobility in the mid-nineteenth century allowed this work to occupy one of the central places in Russian literature.

Characteristics of the main character

The protagonist of the novel is Ilya Ilyich Oblomov, a young (32-33 years old) Russian nobleman, idly and carefree living on his estate. Has a pleasant appearance main feature which is softness in all his features and the main expression of his soul.

His most favourite hobby- this is an apathetic lying on the couch and a meaningless pastime in empty reflections and dreamy reflections. Moreover, the complete absence of any actions is his conscious choice, because once he had a position in the department and was waiting for promotion on the career ladder. But then he got bored with it and left everything, making his ideal a carefree life filled with sleepy peace and tranquility, as in childhood.

(Old faithful servant Zakhar)

Oblomov is distinguished by sincerity, gentleness and kindness, he did not even lose such a valuable moral quality as conscience. He is far from evil or bad deeds, but at the same time confidently say that he positive hero, it is forbidden. Goncharov painted the reader a terrible picture of Oblomov's spiritual desolation and his moral decay. The old and faithful servant Zakhar is a mirror reflection of the character of his young master. He is just as lazy and sloppy, devoted to the depths of his soul to his master and also shares with him the philosophy of his life.

One of the main storylines in the novel, which reveals the character of the protagonist in the best possible way, Oblomov's love relationship with Olga Ilyinskaya becomes. Romantic feelings for this young and sweet lady that suddenly flared up in Oblomov's heart arouse in him an interest in spiritual life, he begins to be interested in art and the mental demands of his time. Thus, there is a ray of hope that Oblomov can return to normal human life. Love reveals in him new, previously unknown traits of his character, inspires and inspires a new life.

But in the end, the feeling of love for this pure and highly moral girl becomes a bright, but very short-term flash in the measured and monotonous life of the couch potato master. Illusions are dispelled very quickly, from the fact that they can be together, they are too unlike Olga, he can never become the one she wants to see next to her. There is a natural breakdown in relations. In the process of choosing between romantic dates and a serene sleepy state in which he lived most of his conscious life, Oblomov chooses the usual and favorite option for him to do nothing. And only in the house of Agafya Pshenitsina, surrounded by such usual care and an idle, carefree life, he finds his ideal refuge, where his life quietly and imperceptibly ends.

The image of the main character in the work

After its release, the novel received close attention from critics and readers alike. By the name of the protagonist of this work (at the initiative of the famous literary critic Dobrolyubov), the whole concept of "Oblomovism" appeared, which subsequently acquired a wide historical meaning. It is described as a real disease of modern Russian society, when young and full of strength people of noble birth are busy with reflection and apathy, they are afraid to change anything in their lives and prefer lazy and idle living instead of action and struggle for their happiness.

According to Dobrolyubov, the image of Oblomov is a symbol of serf society in Russia XIX century. The origins of his “disease” lie precisely in the serf system, in the technical backwardness of the economy, in the process of exploitation and humiliation of forced peasant slaves. Goncharov revealed to the readers the whole path of the formation of Oblomov's character and his complete moral degradation, which applies not only to one individual representative of the nobility, but to the entire nation as a whole. Oblomov's path, sadly, is the path of the majority of people who do not have a specific goal in life and are absolutely useless for society.

Even such noble and lofty feelings as friendship and love could not break this vicious circle of laziness and idleness, so one can only sympathize with Oblomov that he did not find the strength to cast off the shackles of sleep and live a new, full life.